Tag Archives: North Carolina artists

ART Basil King Black Mountain Collage Exhibitions Martha King museums News Poetry Turchin Center for the Visual Arts

The Kings at “Creative Democracy” – The Turchin Center for Visual Arts

Three vitrines display books and broadsides by Basil King and Martha King

To celebrate the legacy of Black Mountain College, the Turchin Center for Visual Arts at Appalachian State University has mounted a show called “Creative Democracy.”  It’ll be on view until June 2, 2018.   (See previous post, “Basil King in new BMC Exhibition” posted in January.)

Twelve of Basil King’s recent bird paintings are featured, along with other Black Mountain connected art and artifacts. Basil gave a one-hour talk on his art and life as did former BMC student Frank Hursh. Martha  is represented with some of her publications in vitrines. The Kings also visited poet Joe Bethanti’s class for a lively Q&A about Black Mountain and beyond. Books by Martha and by Basil are currently for sale in the Appalachian State University bookstore. (Look on the website www.basilking.net for purchase information elsewhere!)

Here are some highlights.

Two paintings by Frank Hursh who attended BMC in 1949; King’s “Perch #4 – The Three Graces” in the middle; Pots by Peter Voulkos in vitrine.
From the top: “Perch #16” – “Perch #3” – “Sketch for Perch” – and “Perch #12” — all Basil King, 2017.
Overview.  Wall in the back begins with King’s  “Bird & Company – Cousin Green” at left and ends with “Perch #11 – November 9, 2016” on right.  Wall on left full of Dawson collages, hung too high for easy viewing, alas.
From the left – paintings by Hursh, King, Susan Weil, King again.

 

Jacob Lawrence (left) Basil King (right)

Fielding Dawson collage.  This was a cover for Dawson’s chapbook “The Shell Game”
Logo for the exhibition and the University’s semester-long BMC celebration.

 

 

 

Desk for BMC students, designed by Joseph Albers
ART Basil King Black Mountain Collage Critique Exhibitions Green Man Martha King museums News Turchin Center for the Visual Arts Writing

New Publication and an Exhibition

The online magazine Talisman has just posted issue #46 with a substantial section of critical responses to Basil King’s art and poetry…which a number of the commentators have so rightly considered together.

 

 

 

Go   www.talismanmag.net to read and see. Yes, see, as there are links to Basil’s visual art and a provocative selection of his rarely seen works on paper in Kimberly Lyons essay.

Burt Kimmelman, An Introduction to the Essays on Basil King
Mallory King, Basil King, Artist
Joshua Gardner, Between the Physical and the Cultural: Basil King
and Charles Olson’s “Herodotean Exploration.”

Mitch Highfill, Basil King and the Small Press Revolution
Vyt Bakaitis, Borne to Light: Basil King’s History Now
Laurie Duggan, Basil King and the Green Man

Vincent Katz, Some Thoughts on the Paintings and Poetics of Basil King
Burt Kimmelman, Painting, Poetry, Basil King
Martha King, “Aldgate Narcissus”: Basil King’s work in the late 1960s
Andrew Levy, Talking Pause – Reflections on Basil
Kimberly Lyons, Basil King Works on Paper: Singularity, Dyads, Families and Mass
George Quasha, Everything Is Language
Barry Schwabsky, Playing Cards and Cigarettes
Daniel Staniforth, Basil King’s Learning to Draw/ A History

 And as infomercials say, “WAIT, There’s more!”   A group of Basil’s recent paintings, a selection of his books, and a selection of my (Martha King’s) publications are now on view at the Turchin Center for the Visual Arts, Appalachian State University, in Boone, North Carolina. The exhibition celebrating “Creative Democracy: The Legend of Black Mountain College” will be on view until June 2, 2018. To view the invitation, copy this into your browser:   https://files.acrobat.com/a/preview/ead3a302-ecbf-4140-a4bf-5d671a4c2989.

ART Basil King Martha King Movies Poetry

Students at UNNCArts comment on “Basil King: MIRAGE”

 

Julian Semilian

 

Filmmaker and poet Julian Semilian screened the film for his students in experimental film at the University of North Carolina School of the Arts (Winston-Salem). (The school’s ‘movie street’ is seen above.) He sent these comments:

I can see why Nicole insisted on blu ray. It looked spectacular. It also made a huge difference seeing it on a large screen.

This is the first time that my students were THAT talkative after a movie. One of the comments was that this was a film made by an artist about an artist. They emphasized this more than once.

We had looked at films about other artists (Motherwell, Rothko, Bourgeois, Eggleson, Robert Frank) but never before did they feel that involved. The main thing…they liked was that the filmmaker stayed out of the way of the subject….They loved the construction, blending the art with Baz’s reading of his auto-biographical poem, so that we get to know the fusion and mirroring of Baz and art. And they really appreciated seeing the art so large. At the end…I spoke to them about Black Mountain (only one student knew a little about it), some of the other principal characters, and about Frank O’Hara. Next week I am going to read them some O’Hara poems. All in all, a splendid evening. I felt happy and proud to make a connection between the generations.

 

 

 

Martha King Writing

Martha is in BEAT SCENE

BEAT SCENE #65 –Kevin Ring, editor, has just published a large section of my BMC memoir. Contact kev@beatscene.freeserve.co.uk for info on how to order.