Category Archives: Prose

Martha King News Prose Prose Pros series

News: Prose Pros-Thursday, May 3, 2018

Ammiel Alcalay and Tiokasin Ghosthorse are the Prose Pros on Thursday, May 3.  6:30 to 7:45.  (Also good food and good company.)   We will pass the hat for the readers.  Hope to see you there.  Avenue A @ 6th Street.  —

Ammiel Alcalay
Tiokasin Ghosthorse

Martha King and Elinor Nauen

ART Basil King Poetry Prose Writing

History Now is here

Basil King’s new book, History Now, Marsh Hawk Press, 2017, is here.

It is the latest segment in what poet Laurie Duggan is calling King’s epic, Learning to Draw.  Eileen Tabios in her online “poetry engagement” Galetea Ressurects, calls it HIGHLY RECOMMENDED.

 

All five books to date are pictured below.  Another publication, a beautiful chapbook In the Field Where Daffodils Grow was published by Vincent Katz’s Libellum Books, but is not pictured as the text also appears in the large Learning to Draw/A History in the middle of the photo below.  We are grateful to him and to other publishers who issued chapbooks or published segments of this work in their magazines, explicitly Mark Lamoureux, Sanjay Agnihotri, Ed Foster, David Caddy, Dale Smith and Hoa Nguyen, and Peter Ganick.

Order from SPD [www.spdbooks.org] for $15 plus S&H, or, if you must, from Amazon Books, also $15 plus S&H.

Books in Basil King’s epic LEARNING TO DRAW sequence.

 

 

ART Basil King News Poetry Prose Writing

Basil King in John Tranter’s online magazine, JPR 04

John Tranter, who created the essential JACKET and published its first 40 issues is at it again! This new venture, JOURNAL OF POETICS RESEARCH is already up to issue #4, in which Basil’s prose poem, “A Pigeon in Delacroix’s Garden” has just been posted. Click for full text!

http://poeticsresearch.com/article/basil-king-delacroixs-pigeon/

 

Mixed media on paper, dimension, Basil King, 2014
From the series, Pigeons in Delacrox’s Garden.  Mixed media on Strathmore paper, 30″ x 23″  2014

Rocking back and forth from texts to image, more pigeons can be seen here:

file:///Users/marthaking/Desktop/DSC_5092%20_%20Flickr%20-%20Photo%20Sharing!.html

And more of interest to read in JPR.

Cover of issue #4
Cover of issue #4

JPR is issued twice a year, online only, with new material added as seen fit. Further information at poeticsresearch.com/about/   In the meantime JACKET 2, is being produced by Al Filreis and his able colleagues at Kelly Writers House. Visit   jacket2.org

 

 

 

 

ART Basil King Basil King MIRAGE film Critique Exhibitions Green Man Martha King Memoir (Outside Inside) museums News Poetry Prose Readings Writing

The YEAR 2015

Just got (unrequested) a look back at 2015 from Facebook, hitting not much of much interest. Thus am prodded to do my own.

February – Baz reads at the Dia Foundation with the wonderfully multi-talented multi-named Pam Dick (Mina, Gregoire, et al) in celebration of the 2014 publication of his The Spoken Word/The Painted Hand. Marsh Hawk Press.  Available at SPD and elsewhere. (Probably even ABE’s for the pennysavers.)

 Basil King’s … mashups of art, culture, and lived experience, both minute and momentous challenge the reader out of conventional notions of art history, by a continuous attention to detail. . . .” — Kevin Killian

April – At the AWP meeting in Minneapolis. Martha speaks in a panel discussion, organized by Martha, about the influence of Black Mountain today, with C.S. Giscombe, Burt Kimmelman, Lee Ann Brown, and Vincent Katz. Later a terrific reading by Baz and C.S. Giscome and a larger group reading also including Sam Truit, Kim Lyons, Burt Kimmelman, and more, at James and Mary Laurie Booksellers

AprilIn conjunction with AWP, “Basil King: MIRAGE” a film by Nicole Peyrafitte and Miles Joris-Peyrafitte is screened at the Walker Art Center.

May – Baz is 80 years old.

June – New York premier of selections from George Quasha’s monumental Poetry Is project at Anthology Film Archives includes Quasha’s interview with Baz.

June– Martha returns to poetry with work in Bone Bouquet, 6.1. Still available:  http://www.bonebouquet.org/issue-6-1/   So too is Bone Bouquet 6.2 just out this fall. One way to reassure oneself that the era of adventurous magazine publishing is far from over is to check out this magazine.

November – Martha’s memoir Outside Inside – that is 50 pages of it, expertly excerpted and condensed by Brigid Hughes, is featured in issue 22 of A Public Space magazine.With photos of the long ago that seem fresh.  Issue 22 –print or digital—can be ordered here: http://apublicspace.org/magazine

December  short podcasts of Baz reading the following poems – and one personal recollection of TV in the early 1950s. Go here! https://soundcloud.com/joseph-terranella/sets/basil-king-2015

Basil’s Lifeboat   (1 minute 23 seconds)

Inside Delacroix’s Garden (2 minutes 14 seconds)

The Butterfly and the Rat (2 minutes 32 seconds)

Looking for the Green Man (3 minutes 53 seconds)

Highway Obstacle (4 minutes 11 seconds)

Channeling 3 – (4 minutes 18 seconds)

The Americans – The Immigrants   (6 minutes, 48 seconds)

Grey – complete (14 minutes 27 seconds)

Working in TV – from an interview (2 minutes 46 seconds)

AND MUCH TO COME IN 2016, including BASIL KING ART at the Black Mountain College Museum and Arts Center, Asheville, N.C., opening SEPTEMBER 2.

Bone Bouquet, Spring 2015
Bone Bouquet, Spring 2015
Martha King reading . Photo by Sarah Kaplan.
Martha King reading in Minneapolis . Photo by Sarah Kaplan.
Baz reading at the Dia Foundation9
Baz reading at the Dia Foundation. Photo by Garth Davidson.
At the Walker Museum, April 2015
At the Walker Museum, April 2015
Basil King Martha King Memoir (Outside Inside) News Poetry Prose Writing

News! New issues: Talisman & Local Knowedge

Literary magazines live!  In print (Local Knowledge 2) and online (Talisman 43). Both new issues include work by both Basil King and Martha King.  Rarely together in print if frequently together day by day. They include more of Basil’s  “Learning to Draw” and more of Martha’s “Outside/Inside.”  Plus Talisman has Martha King poetry, to which she is returning after a long focus on memoir.

To purchase Local Knowledge, just $12, click

http://localknowledgemag.com/purchase-local-knowledge-here/

Martha King with her copy of Local Knowledge
Martha King with her copy of Local Knowledge

To visit Talisman 43 (a bonanza of poetry,essays, prose, translations and art) online, click

http://www.talismanmag.net

Please note, there are several drop-down menus at the top for the many sections of this issue. And much fine work to read and savor.

Talisman House in the dead of winter
Talisman House in the dead of winter

 

 

 

ART Basil King Martha King Poetry Prose Readings Writing

Black Mountain Songs Round-UP

Contrary to normal blog rules, this one is long as there is so much to tell.

First: What is “Black Mountain Songs”?  A collaborative musical event, inspired by the spirit of Black Mountain College, with songs composed by Jherek Bischoff, Bryce Dessner, Tim Hecker, John King, Nico Muhly, Richard Reed Parry, Caroline Shaw, and Alexsandra Vrebalov, arranged in a seamless stream for the voices of the Brooklyn Youth Chorus. The show offered projections of archival and new visuals; two dancers, old Gus Solomons, once a member of the Merce Cunningham company, and young Adam Gauzza most recently of the Caroline Dorfman company; and seated stage left, Basil King, painter, poet, and Black Mountain College alum,  as narrator, reading bits of poetry and prose by Fielding Dawson, Josef Albers, and himself.

On the BAM stage: film projections and the Photo for Brooklyn Youth Chorusby Julieta Cervantes.
On the BAM stage: film projections, the chorus, musicians, and narrator, with Dianne  Berkun-Menaker, conducting. Photo for Brooklyn Youth Chorus by Julieta Cervantes.

The four performances of “Black Mountain Songs” went flawlessly to full houses and enthusiastic audiences at the Harvey Theater—part of the annual Next Wave Festival at BAM.  In fact every performance seemed richer and more exciting than the last.  (This despite Basil battling a vicious upper respiratory infection which emerged as full-scale bronchitis once the shows were over.) Multimedia in elegant restraint:   the amazing kids of the Brooklyn Youth Chorus singing without scores and moving to choreography that balanced their singing.

Here are links and reviews.

Wall Street Journal  (click to slide #8 of 9 for a photo of Baz)

The New York Times

The Brooklyn Youth Chorus

Muscians - including composers Bryce Dressner, seated with guitar, and Richard Parry, standing with bass. Photo: Julieta Cervantes
The musicians – including composers Caroline Shaw, third from left in orange pants, Bryce Dessner, seated with guitar, and Richard Reed Parry, standing with bass. Projection shows Josef and Anni Albers, at Black Mountain College. Photo: Julieta Cervantes
Side by Side --Gus Solomons and Adam Gauzza
Side by Side –Gus Solomons (left) and Adam Gauzza

Some background       Bryce Desser (composer and lead guitar in the indie-rock band The National) found Black Mountain first via composers—John Cage and Lou Harrison particularly.  And he’d been in those mountains as a boy when his parents sent him to a summer camp not far from Black Mountain’s former campus.  Later, Bryce’s sister, who was studying poetry with Larry Fagin and at the New School, began bringing him books he’d never encountered in a straight education:  Charles Olson.  Robert Duncan.  Robert Creeley.  And there was more.   The models of democracy and cross discipline collaboration Black Mountain presented spoke to him. Bryce shared his enthusiasm with friend, collaborator, and fellow composer Richard Reed Parry (instrumentals and vocals for the indie-rock band Arcade Fire).  Both musicians move easily from art rock to composing and performing contemporary concert music. Bryce’s previous collaboration with the Kronos Quartet and the Brooklyn Youth Chorus set his ideas rolling.

Basil accepts applause from chorus and audience.
Basil accepts applause from chorus and audience.

What Baz did   In addition to reading brief excerpts that introduced songs on texts by Fielding Dawson, Charles Olson, and Joseph Albers, he concluded with this piece of his:  

Oh, Black Mountain, wonderful place, desperate place.  I was blown to where light abstracts the smallest thing, into the core of a vernacular, into the heart of the abstract. No wind but the stillness blows me, no reason; no existence blows the shapes that have lost their edges. Oh, Black Mountain, wonderful place, desperate place. Blow your feathers and your worms. Your mulch protrudes the surface. Your bravery blows forgiveness. Your anger blows freedom. Oh, Black Mountain, wonderful place, desperate place. I was blown to where light abstracts the smallest thing, into the core of a vernacular, into the heart of the abstract. No wind but the stillness blows me, no reason; no existence blows the shapes that have lost their edges.

[From Learning to Draw/A History Basil King]

The Youth Chorus responded with hope for their Black Mountain and a marvelous final song, “Their Passing in Time,”  words and music  by Richard Reed Parry.

Will there be more?  Possibly.  Visit Bryce Dessner’s website for news and updates.

ART Basil King Critique Exhibitions Martha King Memoir (Outside Inside) News Poetry Prose Prose Pros series Readings Writing

NEWS: Events, Publications, and a Show — November 2014

November 6 at 6:30.   Basil will read from his new book, The Spoken Word/The Painted Hand (Marsh Hawk Press, 20l4*) and his old friend Hettie Jones will read some of her not-yet published short fictions.  They are both being presented by Prose Pros at Side Walk Café, Avenue A @ 6th Street. (Free, donations requested.)

Front cover of King's The Spoken Word/The Painted Hand
Front cover of King’s The Spoken Word/The Painted Hand

 

November 16 at 3:00Martha King and Basil King will read from new work published in Local Knowledge, Fall 2014, a biannual literary magazine featuring art, photographs, poetry, and prose of many kinds and variations. Basil is represented by “Basil’s Lifeboat” from his “Learning to Draw” series. Martha appears twice: in a note on dead cats and in “It Starts to Drizzle,” a history of her zine Giants Play Well in the Drizzle. Gala magazine launch & reading at Swift Hibernian, 34 East 4th Street, between Bowery and Lafayette.(Free, purchase of magazine requested.)

Martha King with her copy of Local Knowledge, fall 2014
Martha King with her copy of Local Knowledge, fall 2014

 

November 20, 21, 22, and 23.  Three evening performances at 7:30 and one final matinee at 3:00.   Basil will be the Narrator in “Black Mountain Songs” – a program of music by seven young composers, inspired by artists associated with Black Mountain College.  The Brooklyn Youth Chorus sings. Part of Brooklyn Academy of Music’s annual NEXT WAVE festival. Tickets sell out quickly. If you want to attend, please connect with BAM.

http://www.bam.org/BlackMountainSongs

A painting by Basil King (from his “Looking for the Green Man” series) will be in the BAM lobby exhibition until January 2015.

*There will be a reading and book launch for Marsh Hawk Press’s full fall list in December. http://www.marshhawkpress.org/BKing3.html

 

 

 

Critique Martha King Prose

Perils of Archiving, Part 2

Found: Notes on Gentility  (date unknown)

I’ve never understood women in expensive restaurants who whip out lipsticks to remake their faces right at the table. Inspections in the compact mirror.  Baring teeth to check for crumbs of lipstick or food. A dab. A fingernail.  Powder over the nose. I don’t use makeup; I suppose I might, but I’d never do that.

from Getty Images
from Getty Images

And yet I use language that offends even my family.  After flushing the toilet three times I’m slamming out of the door to say: “The turd that would not say goodbye.”  Daughter Hetty who should be used to me by now says, “I think I’m gonna be sick.”

I was hurt. I thought what I said was funny, and besides I was, truly, frustrated, and besides why not say anything I want? Anything with the capacity to derail, defrock,vent hostility, expose discontinuity, especially anything to make someone laugh?  No?