Category Archives: Memoir (Outside Inside)

ART Basil King Black Mountain Collage Critique Martha King Memoir (Outside Inside) News Writing

Outside/Inside -Martha’s memoir-is published

I am delighted to announce the publication of Outside / Inside:  Just outside the art world’s inside, my memoir published by BlazeVOX Books.  The book can be ordered now on the BlazeVOX website, or on Amazon, or by pestering your favorite local bookshop.

Outside of Outside / Inside

Wonderful warm words  Here are comments from advance readers:

Martha King’s fascinating memoir bristles with a unique kinetics of purpose, struggle, reluctant parents, loyal friendships, and of a lifelong partnership with brilliant artist Basil King forged in a utopian dream of communality and the powers of alternative art praxis and passionate bohemian life. What a headstrong young woman she was taking off to Black Mountain upon receiving a note from then rector Charles Olson to “Come with all the money you have and what you are used to for cooking.” And what a long life that continues unabated! Indeed this book is a way of seeing with others in and out of place inthe maelstrom of heady American art and poetry life. I think of Clifford Geertz’sterms “consociational”: all the bustling intersecting realities and persons and thework itself that makes such a grand fabric and warm salute to an amazing time in our culture’s complicated relationship to its geniuses.   I couldn’t put OUTSIDE/INSIDE down until way after dawn, captured by King’s patience, and the urgent “call” to tell this palpable art-driven love story, an archive of trenchant and luminous particulars. —Anne Waldman

I’ve just finished with this splendid memoir. It has so much life to it, and brio, and so much deeply felt reflection that I’m hooked. I loved hearing about everything! The picture of San Francisco life at a certain moment in the mid-fifties has not been equaled elsewhere…but the Lucia Berlin chapter was to me the emblem of all the rest—a long look, with a hundred cunningly observed details, that builds to an heroic thesis. —Kevin Killian

Martha King’s writing brims with a forward propulsion that makes her memoir a page-turner, until you deliberately slow down to relish many passages. You end up appreciating a well-lived life, even if you are not familiar with all of its characters. She says early on that she, perhaps unfashionably for today, lived/lives a life (partly) in support of her partner rather than in self-focused exploration. That’s not something to criticize when her partner, painter-poet Basil King, manifests an integrity that earns any support for it. Besides, hindsight shows that Martha ends up fulfilling her own potential as a poet and writer. The very last word of the memoir sums up Martha’s life — it is a word worth discovering in a book worth reading for her definition. —Eileen R. Tabios

Here it is, kids, the Martha King chronicles. An insider’s account of the real late Black Mountain College, starting with Charles Olson’s enigmatic but clearly motivated postcard: “Come with what money you have in hand and what you are used to for cooking.” The trip stretches wide and far but comes home to a real sense of living. And living for art. Eventually, and then always, with partner in crime and much else, painter and poet Basil King. She gives us what we really want and need — textures: “rotting mattresses, worn-out boots…” She tells what radical women’s lives were like, they “…improvised their clothing, cooked exotic peasant food, tied nursing babies to their waists with Mexican scarves.” She cuts to the essential: “Black Mountain is important because it grew a language – in collision – that is still available for use.” She gives us close-up accounts of goings on inside the Cedar Street Tavern. Denizens, avatars, pass through and by: John Wieners, Frank O’Hara, Hettie Jones, Bob Thompson, Paul Blackburn. And then she goes beyond that, all the way to the present. King clarifies, edifies, entertains. She gives the reader all that freely, and the reader is duly gratified. —Vincent Katz

Martha King’s lively, always insightful memoir provides an intimate account of not only the artists and writers constellated around Black Mountain College in the 1950s but the evolution of many of its figures—famous ones like Charles Olson and John Wieners as well as those less so—while the scenery changes from San Francisco to the East Village, from the ragged clapboards at Black Mountain to the Park Avenue apartments of art dealers. Against the backdrop of her proper Southern upbringing King charts her sentimental education, one done in the company of her husband Basil King, with both eye and ear attuned to the urgent disputes and minor key joys that animate the ordinary days of poets and painters. By turns a family remembrance, a gossipy tale, a love story, and a bildungsroman, Outside/Inside gives vivid account of lives lived in pursuit of making. —Al Mobilio

The book is an incredible picture of life in the art/writing scene over that period. A great picture too of New York. I’d been reading part of Edmund Wilson’s diaries which gives a detailed account of the city some thirty years [earlier]. Martha King’s account is just as sharp and dense with detail….it’s the period just before the money people completely took over. I like the take on the sixties counter-culture, its naivety in being part of the advance of capitalism without knowing it. And I think that what is says about women in that period (or now for that matter) is absolutely on the money. —Laurie Duggan

Martha King was there, and her book is a testimony to the moment when modernism transitioned into contemporary poetry and painting. From Black Mountain to Frank O’Hara and James Rosenquist, she and her husband, the much accomplished and respected painter and writer Basil King, were there, and the result is a personal and detailed guide to a critical moment in the history of the American arts. This is an essential book. Don’t miss it.—Edward Foster

BOOK LAUNCH!  A launch party is taking place at Howl Arts, 6 East 1st Street (between 2nd & 3rd Avenues) on Thursday November 8, 7-9 pm. All invited!
Here is the link:
Martha King Memoir (Outside Inside) News Writing

NEWS Outside/Inside to be published this October

NEWS – Outside / Inside  by Martha King has a publisher!

Martha King’s memoir Outside/Inside (just outside the art world’s inside) will be available from Blaze VOX Books in October 2018.

For a preview of the book, see Eileen Tabios’ great blogspot Galatea Resurrects!  https://galatearesurrects2018.blogspot.com

Martha King

Eileen is featuring King’s chapter on Frank O’Hara in her May edition. (I don’t have permission to reproduce it but there is a wonderful photograph of Frank O’Hara with Larry Rivers – who appears in this chapter – on the cover of Standing Still and Walking in New York, San Francisco: Grey Fox Press, 1975.)

Basil King Martha King Memoir (Outside Inside) News Prose Pros series Writing

News: Martha’s memoir in A Public Space magazine

Fifty pages of my memoir Outside Inside — expertly excerpted and condensed by Brigid Hughes — is featured in issue 22 of A Public Space. With many photographs.  Issue 22 –print or digital— or an annual subscription — can be ordered here: http://apublicspace.org/magazine

While I posted announcements on Facebook in October and had a marvelous send-off at the November 2015 Prose Pros reading series at Side Walk – aided by friends Vincent Katz, Mitch Highfill, Kimberly Lyons and Burt Kimmelman, who read excerpts from my work and their own autobiographical prose – I  never posted the story on this blog.

So, once again, I have the pleasure of putting up the photograph taken by Lynn St. John back when I was 22.  Here it is as the spread in the magazine:

Spread in A Public Space, with my article and Lynn St. John's photo.
Spread in A Public Space, with my article and Lynn St. John’s photo.

While the whole manuscript (all 300-plus pages of it) awaits a publisher, check out this issue. Not only for my stories, some sad and some glorious, with Basil King, Paul Blackburn, Dan Rice, Frank O’Hara, Lucia Berlin, G.R. Swenson, Robert Duncan, Jim Rosenquist and others, but also for the entire issue which has many special pleasures and rewards. I’m very happy to be in it.

 

 

 

 

 

ART Basil King Basil King MIRAGE film Critique Exhibitions Green Man Martha King Memoir (Outside Inside) museums News Poetry Prose Readings Writing

The YEAR 2015

Just got (unrequested) a look back at 2015 from Facebook, hitting not much of much interest. Thus am prodded to do my own.

February – Baz reads at the Dia Foundation with the wonderfully multi-talented multi-named Pam Dick (Mina, Gregoire, et al) in celebration of the 2014 publication of his The Spoken Word/The Painted Hand. Marsh Hawk Press.  Available at SPD and elsewhere. (Probably even ABE’s for the pennysavers.)

 Basil King’s … mashups of art, culture, and lived experience, both minute and momentous challenge the reader out of conventional notions of art history, by a continuous attention to detail. . . .” — Kevin Killian

April – At the AWP meeting in Minneapolis. Martha speaks in a panel discussion, organized by Martha, about the influence of Black Mountain today, with C.S. Giscombe, Burt Kimmelman, Lee Ann Brown, and Vincent Katz. Later a terrific reading by Baz and C.S. Giscome and a larger group reading also including Sam Truit, Kim Lyons, Burt Kimmelman, and more, at James and Mary Laurie Booksellers

AprilIn conjunction with AWP, “Basil King: MIRAGE” a film by Nicole Peyrafitte and Miles Joris-Peyrafitte is screened at the Walker Art Center.

May – Baz is 80 years old.

June – New York premier of selections from George Quasha’s monumental Poetry Is project at Anthology Film Archives includes Quasha’s interview with Baz.

June– Martha returns to poetry with work in Bone Bouquet, 6.1. Still available:  http://www.bonebouquet.org/issue-6-1/   So too is Bone Bouquet 6.2 just out this fall. One way to reassure oneself that the era of adventurous magazine publishing is far from over is to check out this magazine.

November – Martha’s memoir Outside Inside – that is 50 pages of it, expertly excerpted and condensed by Brigid Hughes, is featured in issue 22 of A Public Space magazine.With photos of the long ago that seem fresh.  Issue 22 –print or digital—can be ordered here: http://apublicspace.org/magazine

December  short podcasts of Baz reading the following poems – and one personal recollection of TV in the early 1950s. Go here! https://soundcloud.com/joseph-terranella/sets/basil-king-2015

Basil’s Lifeboat   (1 minute 23 seconds)

Inside Delacroix’s Garden (2 minutes 14 seconds)

The Butterfly and the Rat (2 minutes 32 seconds)

Looking for the Green Man (3 minutes 53 seconds)

Highway Obstacle (4 minutes 11 seconds)

Channeling 3 – (4 minutes 18 seconds)

The Americans – The Immigrants   (6 minutes, 48 seconds)

Grey – complete (14 minutes 27 seconds)

Working in TV – from an interview (2 minutes 46 seconds)

AND MUCH TO COME IN 2016, including BASIL KING ART at the Black Mountain College Museum and Arts Center, Asheville, N.C., opening SEPTEMBER 2.

Bone Bouquet, Spring 2015
Bone Bouquet, Spring 2015
Martha King reading . Photo by Sarah Kaplan.
Martha King reading in Minneapolis . Photo by Sarah Kaplan.
Baz reading at the Dia Foundation9
Baz reading at the Dia Foundation. Photo by Garth Davidson.
At the Walker Museum, April 2015
At the Walker Museum, April 2015
ART Basil King Martha King Memoir (Outside Inside)

Moving and Standing Still

We are still at the same address, same website (www.basilking.net), same Flickr site for Basil King art.  But a move is a move, whether cross-country or just from upstairs to downstairs. We have moved within our house, up to down, to top half, to bottom half, to all, and now back to half.  Six different configurations since 1969…  But (no surprise) it took most of a year to pack, sort, sell, give away, and throw out…all the familiar wrenching drill of moving.

Now, we’re out of the top two floors, which have been converted into a nice apartment. No more stair-climbing. Plus improved income. Because while we we sat still, Park Slope became a pricey and desirable neighborhood. So desirable that we want to live here ourselves despite alluring offers from developers.

Now I’m writing downstairs at the dining room table.  Baz is writing in the living room where his desk fitted nicely. We have a few hideaways when we need more space for domestic life.  In fact much of the house is mostly unchanged…except for Baz’s studio. That was the big rub.

Baz and Martha in the new studio space
Baz and Martha in the new studio space

He’s now working in the front of what’s called in brownstones the parlor floor…   Very narrow and about one-third of the size he was used to. Higher ceilings, yes. Skylight, no. But it works. For now.

And since this April he’s been birding…18 are complete, as of today, September l6. All on paper, most in mixed media.   See one of them below. Do please visit the Flickr album called Bird Scripts.

https://www.flickr.com/photos/67642740@N08/albums/72157655813955188

Meanwhile all summer I’ve been working with Brigid Hughes, the editor of A Public Space magazine  (http://apublicspace.org/) on a very large condensed selection from my memoir, Outside Inside. It will be the feature of the fall issue.

I’m certain to trumpet this news more and again–in October when the print copies are in my hand and again in November. The November 5th Prose Pros reading will be a celebration of the issue, with brief readings from all the devoted Friends of Basil King: Mitch Highfill, Vincent Katz, Burt Kimmelman, Kimberly Lyons, and me.

A party after the move -- it all looks the same downstairs.
A party after the move — it all looks the same downstairs.
"Bird Script #17" - mixed media on Strathmore paper, Basil King, 2015
“Bird Script #17” – mixed media on Stonehenge paper, Basil King, 2015
Basil King Martha King Memoir (Outside Inside) News Poetry Prose Writing

News! New issues: Talisman & Local Knowedge

Literary magazines live!  In print (Local Knowledge 2) and online (Talisman 43). Both new issues include work by both Basil King and Martha King.  Rarely together in print if frequently together day by day. They include more of Basil’s  “Learning to Draw” and more of Martha’s “Outside/Inside.”  Plus Talisman has Martha King poetry, to which she is returning after a long focus on memoir.

To purchase Local Knowledge, just $12, click

http://localknowledgemag.com/purchase-local-knowledge-here/

Martha King with her copy of Local Knowledge
Martha King with her copy of Local Knowledge

To visit Talisman 43 (a bonanza of poetry,essays, prose, translations and art) online, click

http://www.talismanmag.net

Please note, there are several drop-down menus at the top for the many sections of this issue. And much fine work to read and savor.

Talisman House in the dead of winter
Talisman House in the dead of winter

 

 

 

ART Basil King Critique Exhibitions Martha King Memoir (Outside Inside) News Poetry Prose Prose Pros series Readings Writing

NEWS: Events, Publications, and a Show — November 2014

November 6 at 6:30.   Basil will read from his new book, The Spoken Word/The Painted Hand (Marsh Hawk Press, 20l4*) and his old friend Hettie Jones will read some of her not-yet published short fictions.  They are both being presented by Prose Pros at Side Walk Café, Avenue A @ 6th Street. (Free, donations requested.)

Front cover of King's The Spoken Word/The Painted Hand
Front cover of King’s The Spoken Word/The Painted Hand

 

November 16 at 3:00Martha King and Basil King will read from new work published in Local Knowledge, Fall 2014, a biannual literary magazine featuring art, photographs, poetry, and prose of many kinds and variations. Basil is represented by “Basil’s Lifeboat” from his “Learning to Draw” series. Martha appears twice: in a note on dead cats and in “It Starts to Drizzle,” a history of her zine Giants Play Well in the Drizzle. Gala magazine launch & reading at Swift Hibernian, 34 East 4th Street, between Bowery and Lafayette.(Free, purchase of magazine requested.)

Martha King with her copy of Local Knowledge, fall 2014
Martha King with her copy of Local Knowledge, fall 2014

 

November 20, 21, 22, and 23.  Three evening performances at 7:30 and one final matinee at 3:00.   Basil will be the Narrator in “Black Mountain Songs” – a program of music by seven young composers, inspired by artists associated with Black Mountain College.  The Brooklyn Youth Chorus sings. Part of Brooklyn Academy of Music’s annual NEXT WAVE festival. Tickets sell out quickly. If you want to attend, please connect with BAM.

http://www.bam.org/BlackMountainSongs

A painting by Basil King (from his “Looking for the Green Man” series) will be in the BAM lobby exhibition until January 2015.

*There will be a reading and book launch for Marsh Hawk Press’s full fall list in December. http://www.marshhawkpress.org/BKing3.html

 

 

 

Basil King Martha King Memoir (Outside Inside)

A New York Birthday–with Cops and Hot Dogs

Hetty arrived in mid-summer.  Basil’s parents had taken our daughter Mallory out to Long Island where Esther (her grandmother) and some of her relatives could dote on Mallory while we waited on Second Avenue to deliver her sib. We two had gone up the street for Chinese food to celebrate and late that night it took me more than a few minutes on the toilet to recognize that this was a baby coming, not over-indulgence in hot Schezwan. Yike. But Baz was a tower of calmness. He proceeded to shave, shave!  while I was barely able to pull on some clothing.  “I mean it. The baby’s coming!” I gasped.

Second Avenue in the 1960s.
Second Avenue in the 1960s.

A fellow park mother and good friend who lived on Great Jones Street had an actual car, a rarity among our friends, and had offered me something priceless.  “Call,” Delores said.  “Anytime. You know how taxis are.”

“Not in my cab, lady” canny drivers were likely to calculate when waved at by a very pregnant woman and a young man holding that tell-tale overnight bag.  Baz woke Delores up. He might have been sure we had loads of time, but Delores took one look at me as we got in the car and gunned her engine.  It was not quite dawn. By this time, Baz got it. Not one of the three of us realized we were going the wrong way on Second Avenue—uptown not downtown—until a cop car with siren pulled us over. “There’s a woman in here having a baby,” Dolores managed.  It was sweet. “Follow us,” the lead cop said. We had a police escort all the rest of the way up to New York Hospital and no ticket, and not even a scolding. Dolores, still in her nightgown, drove home.

A little later was sweet for Baz too.  He no sooner arrived in the tension-drenched ‘father’s waiting room’ than he was paged.  The haggard dads-to-be glared as he rushed out. And there she was: perfect and plump, with a mop of black curls, and looking so like her father I wanted to pencil on a little mustache.

After seeing me settle down for sleep, Baz walked all the way from 72nd Street and the East River to West 42nd Street. It was a glorious summer day and at Grant’s Cafeteria, a now long-gone landmark, piles of the best hot dogs, a raw bar with clams and oysters, huge cold pickles, and tubs of spicy yellow mustard, waited. A camera crew was there, shooting something. B roll? A documentary? Baz happily signed a release, he told me, and the crew treated him to dogs while they filmed. So somewhere, maybe still, there’s film of Basil King welcoming his daughter Hetty on July 10, 1964.

Hetty this spring at the warehouse where materials for New York City dance teachers are offered free by Capezio  Ballet Makers and others.  See the website for Friends of Materials for the Arts.  Hetty teaches dance to New York kids, preK to 5th Grade. http://www.materialsforthearts.org/2014/04/03/13915/ (The photo was not credited.)
Hetty this spring at the warehouse where materials for New York City dance teachers are offered free by Capezio Ballet Makers. See
the website for Friends of Materials for the Arts. Hetty teaches dance to New York kids, preK to 5th Grade.
http://www.materialsforthearts.org/2014/04/03/13915/
(The photo was not credited.)