Category Archives: Critique

ART Basil King Black Mountain Collage Critique Exhibitions Green Man Martha King museums News Turchin Center for the Visual Arts Writing

New Publication and an Exhibition

The online magazine Talisman has just posted issue #46 with a substantial section of critical responses to Basil King’s art and poetry…which a number of the commentators have so rightly considered together.

 

 

 

Go   www.talismanmag.net to read and see. Yes, see, as there are links to Basil’s visual art and a provocative selection of his rarely seen works on paper in Kimberly Lyons essay.

Burt Kimmelman, An Introduction to the Essays on Basil King
Mallory King, Basil King, Artist
Joshua Gardner, Between the Physical and the Cultural: Basil King
and Charles Olson’s “Herodotean Exploration.”

Mitch Highfill, Basil King and the Small Press Revolution
Vyt Bakaitis, Borne to Light: Basil King’s History Now
Laurie Duggan, Basil King and the Green Man

Vincent Katz, Some Thoughts on the Paintings and Poetics of Basil King
Burt Kimmelman, Painting, Poetry, Basil King
Martha King, “Aldgate Narcissus”: Basil King’s work in the late 1960s
Andrew Levy, Talking Pause – Reflections on Basil
Kimberly Lyons, Basil King Works on Paper: Singularity, Dyads, Families and Mass
George Quasha, Everything Is Language
Barry Schwabsky, Playing Cards and Cigarettes
Daniel Staniforth, Basil King’s Learning to Draw/ A History

 And as infomercials say, “WAIT, There’s more!”   A group of Basil’s recent paintings, a selection of his books, and a selection of my (Martha King’s) publications are now on view at the Turchin Center for the Visual Arts, Appalachian State University, in Boone, North Carolina. The exhibition celebrating “Creative Democracy: The Legend of Black Mountain College” will be on view until June 2, 2018. To view the invitation, copy this into your browser:   https://files.acrobat.com/a/preview/ead3a302-ecbf-4140-a4bf-5d671a4c2989.

ART Basil King Black Mountain Collage Critique Martha King Poetry Writing

Review of History Now — in JPR

New comment on Basil King’s art and writing 

Joshua Gardner, critic
Kim Lyons, poet and critic
Basil King with his latest book

 

 

Joshua A.W. Gardner in his review of Basil King’s latest book of poetry, History Now (New York: Marsh Hawk Press, 2017), “connects the dots” between King’s visual art and the poetry he has been writing since 1985. Gardner finds his “intellectual kinship with the poet Charles Olson” seminal and concludes that King has made himself “a living extension of the Black Mountain legacy” by freely intermingling historical facts, poetry, language, politics, and the capacity to have more than one voice.

The review is 7 pages including photographs, notes, a reproduction and a link to SPD for ordering the book.

Journal of Poetic Research, September 2017. Download it here:

http://poeticsresearch.com/article/joshua-a-w-gardner-reviews-basil-king/

 

This follows publication of Kimberly Ann Lyons’ essay “Here is Another Somewhere: The Visual Art of Basil King” which focuses on the influence of Robert Duncan and his aesthetics on Basil King’s art. She identifies Duncan’s concept of art involving the weaving and the unweaving of a figure…”the twist that permits emergence of mercurial genius”… as instrumental in King’s development. He was an art student at Black Mountain College when Duncan taught there in the 1950s.

The article is 14 pages and has six small reproductions of Basil King paintings.

Dispatches Poetry Wars, July 2017. Download it here:

Here Is another Somewhere: the Visual Art of Basil King, by Kimberly Lyons

 

 

 

 

 

 

ART Basil King Critique News Poetry Writing

NEWS: Kimberly Lyons on Basil King’s art

Good news: DISPATCHES FROM THE POETRY WARS  http://dispatchespoetrywars.com/ is up and healthy. (The site had a spate of glitches during a recent upgrade.)

I am even more pleased to report that a thoughtful article by Kimberly Ann Lyons on Basil King’s visual art “Here is Another Somewhere” is in the Commentary section… http://dispatchespoetrywars.com/…/another-somewhere-visual…/

Also available is the complete text of Basil’s complex meditation on the events of September 11, 2001: TWIN TOWERS. Visit the Dispatches section http://dispatchespoetrywars.com/dispatches/…/07/twin-towers/

Kim takes a look at Basil’s development and the influences of his friends and mentors at Black Mountain College…focusing especially on a never-before discussed connection to Robert Duncan and his concept of art involving the weaving and the UNWEAVING of a figure…and the twist that permits emergence of mercurial genius.

Basil (Lyons says) “has a shared perception with (Duncan) when he writes that “We know we can endure because each one of us has become one of the other.”

The article includes a few reproductions of Basil’s visual art, to which I’ll add one more, just finished this September.

“Mirage II, Highway Obstacle” – mixed media on canvas, 2017,  34″ x 48″,  ©Basil King. Collection of the artist.

It’s important for me to mention that this issue of DISPATCHES  is packed with thoughtful, funny, moving, angry, and exciting work. Thank you, editors Kent Johnson and Michael Boughn.

 

 

 

 

 

 

 

 

ART Basil King Critique Martha King Poetry Readings

Yuko Otomo and Eddie Berrigan

A wonderful reading was held last week at the Dominque Levy Gallery during the exhibition of Chung Sang-Hwa, but the art just below, “Dream of the New Year” is not his.

Hanging Scroll, ink on paper, by Hakuin, Edo Period, found on page 31 of a catalog of the Mary and Jackson Burke Collection, Morikami Museum, DeRay Beach, Florida
Hanging Scroll, ink on paper, by Hakuin, Edo Period, found on page 31 of a catalog of the Mary and Jackson Burke Collection, Morikami Museum, DeRay Beach, Florida

Afterwards BASIL wrote this to YUKO

You and Eddie gave a wonderful reading. It was like listening to two different languages. Eddie spoke in his native tongue and he takes in the exterior that confronts him with acute insight.

At the beginning of this week I went to the dentist to have my teeth cleaned. The woman who cleaned my teeth was English and she was very efficient. Half way through the cleaning she said, “You have a very strong tongue.”

Poets have to have strong tongues so that we can fortify the vernacular.

And at the end of the cleaning I thanked her and said that wasn’t too bad. Her response was “It’s a lot better than a slap in the face with a wet fish. Bet you haven’t heard that in a long time.”

My mother used to say that. How did she know? Was it my body language? What did I say that gave her the clues that I had been born in England?

YUKO — Martha asked me why I didn’t clap when you finished reading. It wasn’t that I wasn’t moved by what you read. It was exactly the opposite. Even though you read in English I heard maybe for the first time you speak in your “native tongue.” It’s by chance that last week Martha found on the street JAPANESE ART/Personal Selections from The Mary and Jackson Burke Collection. One of the illustrations in the book is “Dream of the New Year” by Hakum (1685-1768) and I kept seeing Hakum’s meditation as you were reading and I asked myself not clap but sit and do nothing.

 

Yuko was invited to write a poem for Chung Sang-Hwa’s art, which she read and which is published in the catalog. He lives and works in South Korea, has been widely shown in Asia, especially in Korea and Japan, and is now 84.  This is his first solo exhibition in the U.S.

"Untitled" - oil on canvas, 28 3/8 inches x 25 5/8 inches, C Chung Sang-Hwa.

  • Untitled, 1982, oil/canvas, 28 2/8 inches by 25 5/8 inches, ©Chung Sang-Hwa -From the Dominique Levy Gallery website.

 

 

 

 

 

 

 

Basil King Critique News Poetry Writing

NEWS: in Talisman #44 — Basil King and more

In TALISMAN #44 – 2016         www.talismanmag.net    online only   FREE
Special Section on Neeli Cherkovski
New Work by Cherkovski
Commentary by Seth Amos, Michael Berger,Patrick James Dunagan,
Peter Valente, and A.D. Winans, 
*Special section: ​Basil King, “Crownstone”

*Special section: George Quasha, “fluctuant gender (preverbs)”

Talisman masthead
Talisman masthead
Cover photo for Talisman #44
Cover photo for Talisman #44

Wonderful works by King and Quasha, and lovely to see them together. Cherkovski to explore…as I don’t know his new work. As with the rest of issue 44, lots, lots more to explore!  Thank you, Ed Foster.

Crownstones mark the actual Mason Dixon Line and Basil King’s poem is an exploration of the South, exemplified by Johnny Cash, Loretta Lynn, Eudora Welty, Elvis Presley, Mohammed Ali, and many of Martha King’s ancestors–William Davis, Gabriella Garth, Theodore Shuey, Agnes Symmers….

A brief excerpt:

I’ve never been to hell but I’ve seen
A wooden match
Glow in the eyes of those that hate
I saw that they wanted to burn
The house the sitting room the bed room
Burn black man burn white trash
Burn the tender the keeper’s voice
Burn the positive and the negative
Burn the arms the throat the song
The Weather Vane
The south the north the Continental Divide
The blond the red head the brunette
The black nappy African American hair
Define the root of its hollow springs
The spirit asks why

ART Basil King Basil King MIRAGE film Critique Exhibitions Green Man Martha King Memoir (Outside Inside) museums News Poetry Prose Readings Writing

The YEAR 2015

Just got (unrequested) a look back at 2015 from Facebook, hitting not much of much interest. Thus am prodded to do my own.

February – Baz reads at the Dia Foundation with the wonderfully multi-talented multi-named Pam Dick (Mina, Gregoire, et al) in celebration of the 2014 publication of his The Spoken Word/The Painted Hand. Marsh Hawk Press.  Available at SPD and elsewhere. (Probably even ABE’s for the pennysavers.)

 Basil King’s … mashups of art, culture, and lived experience, both minute and momentous challenge the reader out of conventional notions of art history, by a continuous attention to detail. . . .” — Kevin Killian

April – At the AWP meeting in Minneapolis. Martha speaks in a panel discussion, organized by Martha, about the influence of Black Mountain today, with C.S. Giscombe, Burt Kimmelman, Lee Ann Brown, and Vincent Katz. Later a terrific reading by Baz and C.S. Giscome and a larger group reading also including Sam Truit, Kim Lyons, Burt Kimmelman, and more, at James and Mary Laurie Booksellers

AprilIn conjunction with AWP, “Basil King: MIRAGE” a film by Nicole Peyrafitte and Miles Joris-Peyrafitte is screened at the Walker Art Center.

May – Baz is 80 years old.

June – New York premier of selections from George Quasha’s monumental Poetry Is project at Anthology Film Archives includes Quasha’s interview with Baz.

June– Martha returns to poetry with work in Bone Bouquet, 6.1. Still available:  http://www.bonebouquet.org/issue-6-1/   So too is Bone Bouquet 6.2 just out this fall. One way to reassure oneself that the era of adventurous magazine publishing is far from over is to check out this magazine.

November – Martha’s memoir Outside Inside – that is 50 pages of it, expertly excerpted and condensed by Brigid Hughes, is featured in issue 22 of A Public Space magazine.With photos of the long ago that seem fresh.  Issue 22 –print or digital—can be ordered here: http://apublicspace.org/magazine

December  short podcasts of Baz reading the following poems – and one personal recollection of TV in the early 1950s. Go here! https://soundcloud.com/joseph-terranella/sets/basil-king-2015

Basil’s Lifeboat   (1 minute 23 seconds)

Inside Delacroix’s Garden (2 minutes 14 seconds)

The Butterfly and the Rat (2 minutes 32 seconds)

Looking for the Green Man (3 minutes 53 seconds)

Highway Obstacle (4 minutes 11 seconds)

Channeling 3 – (4 minutes 18 seconds)

The Americans – The Immigrants   (6 minutes, 48 seconds)

Grey – complete (14 minutes 27 seconds)

Working in TV – from an interview (2 minutes 46 seconds)

AND MUCH TO COME IN 2016, including BASIL KING ART at the Black Mountain College Museum and Arts Center, Asheville, N.C., opening SEPTEMBER 2.

Bone Bouquet, Spring 2015
Bone Bouquet, Spring 2015
Martha King reading . Photo by Sarah Kaplan.
Martha King reading in Minneapolis . Photo by Sarah Kaplan.
Baz reading at the Dia Foundation9
Baz reading at the Dia Foundation. Photo by Garth Davidson.
At the Walker Museum, April 2015
At the Walker Museum, April 2015
ART Basil King Critique Exhibitions Martha King Memoir (Outside Inside) News Poetry Prose Prose Pros series Readings Writing

NEWS: Events, Publications, and a Show — November 2014

November 6 at 6:30.   Basil will read from his new book, The Spoken Word/The Painted Hand (Marsh Hawk Press, 20l4*) and his old friend Hettie Jones will read some of her not-yet published short fictions.  They are both being presented by Prose Pros at Side Walk Café, Avenue A @ 6th Street. (Free, donations requested.)

Front cover of King's The Spoken Word/The Painted Hand
Front cover of King’s The Spoken Word/The Painted Hand

 

November 16 at 3:00Martha King and Basil King will read from new work published in Local Knowledge, Fall 2014, a biannual literary magazine featuring art, photographs, poetry, and prose of many kinds and variations. Basil is represented by “Basil’s Lifeboat” from his “Learning to Draw” series. Martha appears twice: in a note on dead cats and in “It Starts to Drizzle,” a history of her zine Giants Play Well in the Drizzle. Gala magazine launch & reading at Swift Hibernian, 34 East 4th Street, between Bowery and Lafayette.(Free, purchase of magazine requested.)

Martha King with her copy of Local Knowledge, fall 2014
Martha King with her copy of Local Knowledge, fall 2014

 

November 20, 21, 22, and 23.  Three evening performances at 7:30 and one final matinee at 3:00.   Basil will be the Narrator in “Black Mountain Songs” – a program of music by seven young composers, inspired by artists associated with Black Mountain College.  The Brooklyn Youth Chorus sings. Part of Brooklyn Academy of Music’s annual NEXT WAVE festival. Tickets sell out quickly. If you want to attend, please connect with BAM.

http://www.bam.org/BlackMountainSongs

A painting by Basil King (from his “Looking for the Green Man” series) will be in the BAM lobby exhibition until January 2015.

*There will be a reading and book launch for Marsh Hawk Press’s full fall list in December. http://www.marshhawkpress.org/BKing3.html

 

 

 

Critique Martha King Prose

Perils of Archiving, Part 2

Found: Notes on Gentility  (date unknown)

I’ve never understood women in expensive restaurants who whip out lipsticks to remake their faces right at the table. Inspections in the compact mirror.  Baring teeth to check for crumbs of lipstick or food. A dab. A fingernail.  Powder over the nose. I don’t use makeup; I suppose I might, but I’d never do that.

from Getty Images
from Getty Images

And yet I use language that offends even my family.  After flushing the toilet three times I’m slamming out of the door to say: “The turd that would not say goodbye.”  Daughter Hetty who should be used to me by now says, “I think I’m gonna be sick.”

I was hurt. I thought what I said was funny, and besides I was, truly, frustrated, and besides why not say anything I want? Anything with the capacity to derail, defrock,vent hostility, expose discontinuity, especially anything to make someone laugh?  No?